Category Archives: Useful Sites
I present to you my attempt at a weekly round up, that is, a conglomeration of good posts from the last week. This will be too long because I follow too many blogs. It will also be too much coolness to handle in its entirety, so just scroll through and open whatever catches your eye. 😀 If this isn’t too painful in the creation, you will get more.
- News & Noteworthy
(As if every single one of these links isn’t noteworthy. My headings need work.)
The eye-popper of the week award goes to A Follow’s Not a Book Sale (Though It’s Really Nice), which asks “Does social media affect sales AT ALL?” via The Intern
Pretend you don’t need 3 Ways to Keep Social Media from Taking Over Your Writing Time. Just pretend. I dare you. via Author, Jody Hedlund
- Writing Advice
Here’s something with the provocative title of Writing Multiple Books in a Year– It Doesn’t Take as Much as You Think. via Mystery Writing is Murder
This is about changing the way you view subplots forever and Grey’s Anatomy. via Novel Rocket And to continue mining TV shows, Lessons from Downton Abbey.
We were gifted with two brilliant pieces on Io9: How Not to Be a Clever Writer and 8 Unstoppable Stories for Writing Killer Short Stories.
EditTorrent talks about what three varied writers need to start. Once the push from what you need to start a novel wears off, Janice Hardy has So Where Were We? Finishing Manuscripts. She also has Under Development: Ways to Create Characters.
Nifty little things that have been around since the dawn of time I am only now discovering because I live underneath a rock. It’s dark here.
Solving the “I don’t have the money or the oomph to travel” excuse for not attending writer conventions is WriteCon, an online conference for KidLit, MG, and YA authors. It’s free.
Donna Macmeans has compiled a list of Rooting Interests, the things that get readers behind characters.
I present to you The Michael Hauges Story Concept Template. In fact, this is going to be the All-Important Reader Engagement Moment of the Week. Fill in the blanks with your novel and post it in the comments below so we can see what each other is writing! iva Jill Williamson
My twitter stream was filled by people tweeting their Hunger Names this week. It gives you your precinct, the number of your game, and the way you die, too. Yes, this is under “fun.”
A fellow aspiring writer takes the amusing route in announcing a vacation. Which I should do instead of not posting for a month without notice.
Enjoy. Don’t forget to leave the your Michel Houghes Story Concept Template in the comments so we can learn about each other’s plots!
What is a Mary Sue?
There are several definitions of a Mary Sue. Usually a character that makes people say, “Mary Sue!” has some combination of the follow characterizations:
- A Character Based Off Yourself
Named after you, working at the job you wish you had, possessing all your good qualities, dressing, thinking, and acting like you, this is the beginner’s Mary Sue. When I first started writing as a teen all my protagonists were copies – maybe idealized copies, but still copies – of me. Trust me, this is a bad idea. You will get too attached to your character, not allow them to grow and 3D-ize naturally, and will squish the story to fit the character, instead of the other way around.
- A Perfect, Unbeatable, Fantastic Character
She is gorgeous. She will whip anyone in a fight. She can not lose. She gets all the guys she wants. If she’s got a fault it something like “a little clumsy when not on the battlefield.” She’s a Mary Sue. These are the characters that annoy people. Unfortunately, these Sues also tend to masquerade as Really Cool characters. And it’s really temping to make your favorite character Really Cool.
- A Character With Cliche Qualities, Backstory, or Plot Points
She was abandoned by her parents, has strange eyes that see into your soul, and will die in her lovers arms to be brought back to life at the Crucial Moment. If you’re wondering how you could possibly write a character this terrible. . . well, maybe not that terrible. But letting “little” cliche attributes pile up is easier than you think, especially if you are not well-versed in cliches.
Despite the female name, Mary Sues do not have to be girls. Guys can have the qualities too. Now, whether you call a male Mary Sue a Gary Stu or Murray Sue or Marty Stew is subject to some debate. For the sake of simplicity, however, I will only use “she” in this post. Substitute “he/she/it” in your mind.
A Little History
Originally, Mary Sues referred to original fanfiction characters. Even more originally, it referred to original Star Trek fanfiction characters. A short story mocking the abundance of young, perfect, attention-stealing insert characters coined the term. It is viewable here: http://www.fortunecity.com/rivendell/dark/1000/marysue.htm The term “Mary Sue” has lost a lot of its meaning in fanfiction due to general overuse and definition fuzziness, but plain fiction writers have happily adopted the term.
How can I tell if one of my characters is a Mary Sue?
Well, the easy way is to try a Mary Sue test on the character. Now, in no way is a simple yes/no test perfect, but I’ve found such tests very useful. I’ve compiled links to the tests I’ve found most useful. They are intended for straight fiction characters (many tests you find will be intended for fanficiton characters).
- The Original Mary Sue Test for Fiction Characters
[Note: the original original Mary Sue test which the above test was based off of was for fanfiction characters.]
- The Exhaustive, Recommended Test [Slight language and references to sexuality. For a PG to PG-13 audience.]
[Note: on the same site is a Mary Sue test for created races.]
- A Shorter Test
[Note: the “summary” after the test is humorously unreliable, but all the points are something to think about.]
Oh dear. How do I fix my Mary Sue?
Fixing Mary Sues isn’t too hard, as long as you’re not too attached. What exactly you need to do to fix your Mary Sue depends on what is wrong. But first, let me define “fixing.” I do not mean going, “OK, maybe I can cut that out,” and de-checking boxes on a Mary Sue test until you are down to a reasonable score. I mean taking a grand look at your character, picking up the worst problems one at a time, and figuring out what should be there instead.
- Copy of You
So, she’s actually you, huh? Here’s a quick tip: change her (or his) name. I mentioned above that all my first protagonists were coppies of me. Well, one of those protagonists has since been rewritten (along with her accompanying story line) into someone else entirely who can carry a novel on her shoulders. The first step was to change her name. Then figure out how much of your storyline was pandering to the fact she’s you – and cut it. Leave her alone for a few months. Come back and figure out who she really is.
Backstory is perhaps the easiest to fix, and it’s even easier to fix if you’ve yet to start writing (this is why you test for Mary Sues in the development stage). Just. . . change their personal story. If you’ve already begun writing, you may need to add or delete scenes, but trust me, it’s for the better of your novel. This only gets tricky if you have a bad backstory giving a character their motive or something for integral to the story. In this case it’s back to the drawing board: your character is underdeveloped. Decide what is really causing Mary Sue to act.
- Character Traits
Ditch the purple eyes and raven hair and the out-of-time-and-place clothing. Make sure she has a real character flaw – or three or five. Realize she is not going to stay calm and collected no matter what, and certainly not when everyone else is panicking. Take a look at your character arc: how has she changed by The End? Or did you make her perfect at the beginning and leave no room for development?
- Cliche Development
If you just realized that Mary Sue easily switches from being an apothecary to leading the rebel army, if Mary Sue never gets honestly beaten or makes a mistake (without a reasonable excuse), if Mary Sue develops amnesia, and becomes royalty. . . hopefully you’re only outlining. 🙂 Take bad plot points out and figure out a better way to get from the A before the point and the B after the point. Add good plot points (your character receiving the consequences for being a smart alec, for example). Think carefully about realism, since many Mary Sue plot point borderline the fantastic.
If you find that a character is just too deep a Mary Sue to keep alive and just can’t make it in your story, that’s OK. Sometimes its easier to start over from the beginning rather than try to revise the unrevisable. Just last year I scrapped a complete draft and started over from the beginning. It was that bad.
Things To Remember So You Don’t Huff And Ignore Everything I Just Said:
~Those tests are for symptom of the disease. Not every point is to be avoided like a hurricane; Mary Sue characteristics – when used with restraint – can be done well. See below.
~Yes, it is possible for you to see Mary Sue qualities in a character from your favorite or a classic book. If you are a really, really good writer, you can pull off a great story with a Mary Sue. And I mean J. K. Rowling good (try doing a Mary Sue test for Harry Potter).
~Every writer has made a Mary Sue in their day. You will too at some point. You are not J. K. Rowling. If you think you are, there’s a name for that psychiatric condition.
This is the first post in a serious on characters. You see, in my planning for NaNoWriMo, I’m fleshing out my main and supporting characters. So it’s all in self-interest. May you never write another Mary Sue again! (I wish the same for myself.)
Evil forget-to-hit-the-final-button-itis. I wrote this yesterday.
A few days ago I heard about this writing challenge called Story A Day. It takes place throughout the month of May, and the goal is to write a complete short story (your definition) each day. The stories can be about anything, so long as you write one a day. “Neat,” I thought, “and during my birthday month too.” I then forgot about it until yesterday afternoon. For some reason I remember. For an odder reason I went to the site. For an odder still reason I joined.
I needed this. Lately I’ve been to to wrapped up in quality to truly write, and I’ve known I’ve needed practice writing concise and complete short stories for a while now. Maybe I’d be more comfortable if I’d actually planned to do Story a Day.
You can keep track of my progress here: http://storyaday.org/scribbling. I will be posting every day with my progress and other randomness. Feel free to take a peak. I won’t be posting the complete stories I write, just snippets, but maybe you’ll find something useful or entertaining anyway.
I like prompts. I like picture prompts. I like science fiction and fantasy picture prompts. But I’m not a big fan of those static pages of prompts, never changing, becoming old. Over time I have discovered several excellent prompt blogs, however, and I’m sharing those with you today. In no particular order:
Photomanipping Blog: http://blog.diekisdreamings.com/
Main Site: http://dieki-noordhoek.appspot.com/
Dieki Noordhoek is a photo manipulating artist, graphics designer, and programmer. I have followed his photomanippulating blog for a while now, and have often gleaned inspiration from his works, many of which are fantasy or science fiction oriented.
Dragon Writing Prompts
Old Blog: http://dragonwritingprompts.blogsome.com/
Current Blog: http://dragonwritingprompts.blogspot.com/
Dragon Writing Prompts has all sorts of prompts, from picture to quotes to fun ideas, but her even the posts that are not specifically a picture from contain juicy images. This blog is updated daily with science fiction, fantasy, and occasionally horror prompts.
Holy World’s Word Art
Forum Thread: http://www.holyworlds.org/forum/viewtopic.php?f=68&t=1830
So I cheated here. This is actually a thread, not a blog. The talented photomanipulators over on Holy Worlds have a challenge among themselves: create a composite picture out of one or two words. I think the resulting images just have stories bursting from them. Holy Worlds has a site dedicated to public domain images and photos created by Holy Worlds members at http://www.olorea.holyworlds.org.
I hope you enjoyed these! What are your favorite picture prompts or sites? Static pages allowed. 😉
A while back (and midway through a spyfy) I realized I didn’t know how to write fight scenes. So I googled it. Problem is, apparently everyone posts what everyone knows about fight scenes. I ate page after page of redundant material until I had found enough unique sites to know my stuff. Do not worry, this is not going to be yet another post on what everyone knows about fight scenes. Other people have written enough on how to write fight scenes that I can give you a nice triplet of links and sleep at night knowing I’ve helped you bloody your characters. Take the time to read through these; it can only improve your fighting skill. Er, writing fighting skill.
How to Write a Fight Scene
After I read this, I thought, “I need to rewrite every fight scene I’ve ever written.” After a friend read this (on my recommendation), she said, “I feel like rewriting every fight scene I’ve ever done.” Essentially the same thing. 😉 I believe you will feel the same way too. The author leads you through a fight scene step by step in the one of the more engaging voices I have read in an article.
Fight Scenes 101
An entire (small) site devoted to fight scenes. Thumbs up. The sections are titled Location, Weapons, Language, Writing, Big Odds, Big Battles, Other Types of Action, and Weapons Database, which gives you a good idea of the contents.
Does Your Fight Scene Pack a Punch?
Just an article, but it packs a punch. Pun unintended. This article focuses on two major things: how to keep your fight scenes from looking like a choreographer’s notebook (For the record, mine did.) and how to give your fight scene emotional punch. After all, readers aren’t going to worry about that broken nose if there is no emotion involved.
Pretty much every other article you’ll find parrots what is covered in these three sites. ‘Tis a pity. I could rant about regurgitation articles forever (or at least a paragraph). Instead. . . Enough experts. What do you have to say about writing fight scenes? Anything to add?
Outlines. You either hate ’em or you love ’em. Either way, today you are going to get an earful on how to outline a novel. If you are participating in Fix Your Messy Novel that Doesn’t Have a Chance Month, you might want to make a new outline for your Messy Novel of Choice. I say might, because there are cons. But I think there are more pros. Just for yourself.
An outline puts all your thoughts in one place and gives you goals to work toward. By plotting out your novel beforehand, you can fix plot holes before you even start writing. Also, while organizing the ideas you have for an outline, you will make sure you have enough information and ideas to take you all the way through the novel. I find outlines incredibly useful.
You may feel restricted by an outline or that you can’t capture all your thoughts and put them on paper. Whether or not outlines are for you depends on your personality type.
I’ve compiled a list of four major outline methods, in order from least rigorous to most, for your perusal.
Some people just use a Q & A form for outlining. Many sites have a list of questions to help you develop your novel. This outline form is more of a bunch of reminder notes and inspiration than a detailed plan. Still, I find many questionnaires to be useful, especially in the early stages of development.
Site for more information:
A step-by-step guide to a question setup outline.
In most cultures all stories follow a basic, foundational structures, termed three acts. Act one shows the characters introduced, the setting created, and basic motives shown. At the end of act one is the inciting incident, the event that change everything and plunges into the actual plot. During act two, the main characters face progressively greater and riskier challenges to overcome. Act three begins with the climax, the ultimate showdown between the heroes and the villain. You fill in the blanks.
Site for more information:
The site I where first learned about the three act structure.
This outline method requires you to have a general idea of the direction of your novel. Every scene is plotted. Each scene has a form that looks something like this:
Characters in this scene:
This is very thorough. I must say I like this outline method the best, although I lack the patience to complete it. Novels with this type of outline are written scene by scene.
Site for more information:
A web page on writing a novel scene by scene and offers some fun visual ways to make a scene by scene outline.
The snowflake method was invented by Randy Ingermanson. It’s concept is simple: start small, and then add to that tiny bit and then add to that and add to that, growing the story like a snowflake. The beginning is a logline. The final step before actually writing involves actual phrases occurring in each scene.
Site for more information:
The founder’s official page on this outline method.
Now that you know different method, here are some common outline forms. Some forms work better with different outline types or people. I suggest trying several.
Spontaneous is when you write anything that comes to mind, quickly, and in spurts. In other words, all over the paper.
I usually use this one. It’s thought out and in a line, perhaps with side notes, but not in such a rigid, tight order as strict. This outline form can be twisted in a lot of way to suit your unique needs.
The regular outline form you are taught in school is used. Roman numerals and points and subpoints and all that stuff. Works well with three-act structure and scene-by scene.
I hope you find this list and these links useful! Maybe you will try an outline even if you normally do not use outlines. If you are an outliner, how do you outline your novels? Do you use an outline method listed here, or another one?
Wrapping up my series on world building, I would like to share with you my three favorite world building sites. In no particular order:
30 Days of Worldbuilding
Mother Site: http://www.web-writer.net/fantasy
Specific Page: http://www.web-writer.net/fantasy/days/index.html
Geared toward fantasy.
About: This site’s purpose is to walk you through building a complete fantasy world in thirty days. There are thirty sections on various topics. Each include a daily, 15-minute activity building on the last day’s activity. Very complete.
Writing Science Fiction and Fantasy
Mother Site: http://writesf.com/
Specific Page: http://writesf.com/03_Lesson_01_World.html
Geared toward science fiction.
Disclaimer: While this course is excellent, I can not recommend the author’s books due to offensive content.
About: This is a section of author Jeffery A. Carver’s free course on “writing science fiction and fantasy.” Despite the name, his course has a decided science fiction bent. Still, it is easily used for fantasy as well. Carver is engaging, and fills the pages with activities and examples.
Creating Fantasy and Science Fiction Worlds
Mother Site: http://elfwood.com
Geared equally toward science fiction and fantasy.
About: Michael Liljinberg has created a series of seven articles, in the style of the seven days of creation, each article guiding you through the aspect of creation covered on that day. This puts “playing god” in a whole new light, doesn’t it? Worksheets and resources are scattered throughout.
Have you used any of these methods? Do you have a favorite world building site or resource?